View map of traveling exhibitions locations

American Chronicles:
The Art of Norman Rockwell

Chrysler Museum of Art, Norfolk, Virginia
November 8, 2008 through February 1, 2009

Detroit Institute of Arts, Michigan
March 8, 2009 through May 31, 2009

Museum of Art, Fort Lauderdale, Florida
November 14, 2009 through February 7, 2010

Wichita Art Museum, Kansas
March 6, 2010 through May 30, 2010

North Carolina Museum of Art, Raleigh
November 6, 2010 through January 30, 2011

Tacoma Art Museum, Washington
February 26, 2011 through May 30, 2011

Crocker Art Museum, Sacramento, CA
November 10, 2012 through February 2, 2013

American Chronicles: The Art of Norman Rockwell has been generously supported by an American Masterpieces Grant from the National Endowment for the Arts, the Henry Luce Foundation, The Curtis Publishing Company, the Norman Rockwell Estate Licensing Company, and the Stockman Family Foundation Trust.

"No Swimming" ©1921 SEPS: Licensed by Curtis Publishing, <nobr>Indianapolis, IN</nobr>
No Swimming ©1921 SEPS: Licensed by Curtis Publishing, Indianapolis, IN

LitGraphic: The World of the Graphic Novel

Toledo Museum of Art, Ohio
September 2009 through January 2010

Huntington Museum of Art, West Virginia
February 20, 2010 through May 23, 2010

James A. Michener Art Museum, Doylestown, PA.
November 13, 2010 through February 13, 2011

Fitchburg Art Museum, Massachusetts
November through January 2012

A burgeoning art form with roots planted firmly in history, graphic novels, or long-form comic books, have inspired the interest of the literary establishment and a growing number of readers. For today's aficionados, graphic novels, with their antiheroes and visual appeal, are positioned to usurp the role that the novel once played. Focused on subjects as diverse as the nature of relationships, the perils of war, and the meaning of life, graphic novels now comprise the fastest-growing sections of many bookstores‹an accessible, vernacular art form with mass appeal.

This comprehensive exhibition explores the history and diverse artistry of the graphic novel, featuring personal commentary and artworks by celebrated historic and contemporary practitioners. Original book pages and studies, sketchbooks, and video interviews provide insights into an evolving and exciting art form. Artworks by Jessica Abel, Sue Coe, R. Crumb, Howard Cruse, Steve Ditko, Will Eisner, Brian Fies, Gerhard, Milt Gross, Marc Hempel, Niko Henrichon, Mark Kalesniko, Peter Kuper, Harvey Kurtzman, Matt Madden, Frans Masereel, Frank Miller, Terry Moore, Dave Sim, Art Spiegelman, Lynd Ward, Lauren Weinstein, Mark Wheatley, Barron Storey and others will be on view.

"The Sandman" by Marc Hempel. ©1992 Marc Hempel
The Sandman by Marc Hempel ©1992 Marc Hempel

Picturing Health: Norman Rockwell
and the Art of Illustration

Kalamazoo Institute of Arts, Michigan
Sept. 20, 2008 through December 14, 2008

Mobile Museum of Art, Alabama
March 6, 2009 through May 24, 2009

Gari Melchers Home and Studio, Fredericksburg, VA
October 31, 2009 through January 31, 2010

Picturing Health: Norman Rockwell and the Art of Illustration will feature original paintings by Norman Rockwell from the Pfizer Collection, which are among the finest examples of the artist's imagery for advertising. These beloved portrayals inspired Americans to view themselves and their physicians with optimism, and presented the notion that health is affected as much by our emotional lives as by our physical well-being.

Norman Rockwell's paintings, which explore the subjects of the doctor/patient relationship, physical fitness, and health and healing across the generations, will be accompanied by original works exploring similar themes by twenty of today's most prominent visual commentators. Artworks created for publication during the past decade will examine contemporary perspectives on subjects explored more than fifty years ago in Norman Rockwell's art. Commentary focusing on recurring themes, artistic and cultural influences, and the commercial climate that has influenced the creative process will be woven throughout the exhibition. A designated segment of the exhibition will offer insights into the artist's process, from first idea to finished painting and published work. The exhibition will also explore the impact of narrative images, which have had, and continue to have, a singular impact on public perception.

"Doctor and Doll" ©1944 Licensed by Norman Rockwell Licensing Company, <nobr>Niles, IL</nobr>
Doctor and Doll ©1944 Licensed by Norman Rockwell Licensing Company, Niles, IL

Norman Rockwell in the 1940s:
A View of the American Homefront

National Museum of the Marine Corps, Quantico, VA
September 28, 2009 through January 9, 2010

Many of Norman Rockwell's Saturday Evening Post covers during the 1940s were inspired by life on the American homefront during World War II. Rockwell's powerful Four Freedoms, unforgettable Rosie the Riveter, exuberant Homecoming Soldier, and hapless but lovable infantryman, Willie Gillis are among the many memorable images contained within this exhibition of original tearsheets featuring 44 Rockwell illustrations for The Saturday Evening Post.

"Freedom of Speech" ©1943 SEPS: Licensed by Curtis Publishing, <nobr>Indianapolis, IN</nobr>
Freedom of Speech ©1943 SEPS: Licensed by Curtis Publishing, Indianapolis, IN

Norman Rockwell's Tom Sawyer & Huckleberry Finn

In 1935, George Macy, the publisher of the Heritage Press and Limited Editions Club books, invited Norman Rockwell to illustrate Mark Twain's The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn. Rockwell visited Hannibal, Missouri, Twain's boyhood town, to find authentic details to include in his work. Twain's vivid descriptions of character, setting and mood were an inspiration to the illustrator, who considered each of the writer's scenes to be "complete and perfect to the last detail."

The sixteen signed limited edition prints from Rockwell's own collection comprise this exhibition featuring the artist's timeless images for these American classics.

"Tom Sawyer, Whitewashing the Fence (detail)" ©1936 Heritage Press and Eaton Press, Norwalk, CT
Tom Sawyer, Whitewashing the Fence (detail) ©1936 Heritage Press and Eaton Press, Norwalk, CT

Building Books: The Art of David Macaulay

Cincinnati Art Museum, Ohio and Fitton Center for Creative Arts, Hamilton, Ohio
June 14, 2008 through September 7, 2008

The Museum of Art, Rhode Island School of Design, Providence, RI
September 24, 2008 through February 1, 2009

Currier Museum of Art, Manchester, New Hampshire
March 7, 2009 through June 14, 2009

Author and artist David Macaulay has demystified the workings and origins of everything from simple gadgets to elaborate architectural structures. A favorite with readers of all ages, this Caldecott Medal-winning artist is the subject of this exciting exhibition that takes an in-depth look at Macaulay's artistic process and extensive body of work, including The Way Things Work, Castle, Cathedral, City, Mill, Ship, and Mosque.

"From Cathedral (detail)" by David Macaulay. ©1999 David Macaulay
From Cathedral (detail) ©1999 David Macaulay

Dinotopia: The Fantastical Art of James Gurney

Delaware Art Museum, Wilmington
February 4, 2010 though May 16, 2010

James Gurney’s Dinotopia bring the worlds of science and the imagination to life by chronicling Arthur and Will Denison's remarkable experiences on a lost island in vibrant color and meticulous detail. Recounted in words and pictures in the best-selling book series, Dinotopia: A Land Apart From Time (1992), Dinotopia: The World Beneath (1995), and Dinotopia: First Flight (1999), the artist’s compelling tale has engaged and enchanted readers by inviting them to explore the far reaches of a mysterious destination. Waterfall City, the island’s center of learning, The Hatchery, birthplace of many of Dinotopia’s prehistoric inhabitants, and The Forbidden Mountains, where dinosaurs dare not venture, are just a few of the places described in Arthur Denison’s fictional journal and in the outstanding works on view.

Inspired by a deep and abiding interest in archaeology, lost civilizations, and the art of illustration, James Gurney invites viewers to enter a fantastical world in which dinosaurs and humans live side-by-side. His luminous paintings, beautifully crafted drawings and hand-made models, which are featured in this exhibition, explore the wonders of the distant past through the lens of the imagination. The artist's original New York Times bestseller, Dinotopia: A Land Apart from Time, appears in eighteen languages with over two million copies sold. Dinotopia: Journey to Chandara, the next installment in the series, has been released and is now available.

Will Arrives (detail) by James Gurney. ©2006 James Gurney
Will Arrives (detail) by James Gurney ©2006 James Gurney

Tasha Tudor's Spirit of the Holidays

1911 City Hall Arts and Cultural Center
Lake Charles, Louisiana

November 7, 2008 through January 31, 2009

Throughout an illustrious career spanning seven decades, Tasha Tudor has delighted an international audience with her joyful writings and enchanting images. Among the most beloved artists of our time, she has authored over twenty published titles, and her illustrations, or the discussion of her unique lifestyle, are featured in one hundred books.

Now in her ninetieth year, this treasured daughter of New England continues to garner acclaim for her signature watercolors as well as for her distinctive lifestyle harking back to the mid-nineteenth century. Tudor’s way of living has always included significant time devoted to the enjoyment of holiday traditions, which she shares with family and friends. Beginning with the illustrations in her first book published for children, Pumpkin Moonshine, she has demonstrated in her professional life a continual interest in depicting holiday stories and scenes.

Tasha Tudor’s Spirit of the Holiays illuminates the season with outstanding and rarely seen examples of the artist’s original art for greeting cards and children’s books created for special holiday celebrations – from Christmas to Valentine’s Day and Easter. Original portraits of Tasha Tudor as a girl by her mother, Rosamond Tudor, delicate childhood drawings, original handwritten manuscripts, miniature doll cards, hand-decorated boxes and Easter eggs, photographs, and almost one hundred first-issue holiday cards dating from the early 1940s onward are among the heartwarming treasures to be enjoyed.

In story after story and picture after picture, her extraordinary art reflects the simple pleasures that can be had in this life by savoring each passing season, celebrating special days, and cherishing the most fleeting of moments.

"Not a Creature Was Stirring (detail)" by Tasha Tudor. ©1975 Tasha Tudor
Not a Creature Was Stirring (detail) ©1975 Tasha Tudor

Norman Rockwell's Home for the Holidays

Atlanta History Center Atlanta Historical Society,
Atlanta, Georgia

November 22, 2008 through February 15, 2009

During his forty-seven year affiliation with The Saturday Evening Post, Norman Rockwell was celebrated for his special holiday cover illustrations, which were commissioned to mark a full spectrum of annual events for an enthusiastic public, from Thanksgiving, Christmas and The New Year to Valentine's Day and April Fools' Day.

Throughout the decades, his holiday depictions shifted in subject and style, resulting in a broad range of imagery inspired by both the past and the present.

This exhibition featuring original Saturday Evening Post cover tearsheets includes many of Norman Rockwell's most memorable and enduring holiday images.

"Extra Good Boys and Girls (Santa at the Map)" ©1939 SEPS: Licensed by Curtis Publishing, <nobr>Indianapolis, IN</nobr>
Extra Good Boys and Girls (Santa at the Map) ©1939 SEPS: Licensed by Curtis Publishing, Indianapolis, IN


©2008 Norman Rockwell Museum. All rights reserved.
Updated Thursday August 28th, 20089 Glendale Road, Route 183
Stockbridge, Massachusetts 01262 | 413.298.4100
rss/xml feed[?]